From her long experience in design, she has retained the ability to question the boundary between form and sculpture, proportion and intuition, construction and emotion.
All of his pieces are hand-modeled using various techniques (pinching, stamping, slab building, coiling… few tools, a lot of time)
Some are slowly polished, others rubbed, bringing out the grain of the often grogged clay.
Made of high-temperature stoneware, they are engobed and glazed according to personal and often renewed recipes, based on ashes and natural oxides.
Since none of them are alike, they bear witness to the time needed and given, to the slow joy that shapes them; however, they are linked to each other by gesture and intention.
Their uniqueness comes from their imperfections, as if already patinated by hand and time.
His ranges are never fixed, constantly evolving according to the seasons and the changing landscapes around the workshop.
It is in this workshop that ideas are born and transformed, from sketch to the modeling of the moment, according to this mantra inspired by Alberto Giacometti
